The Dark Knight Rises

Typically movies mimic situations and events heavily influenced by our lives, our societal value's, and our popular culture. But, once in awhile it's the other way around, and a film makes a connection with an individual or a group who usually misconstrues its message and attempts to "bring to life" what someone had created with the sole intent of only entertaining people. Unfortunately, a major popular theme of American society includes a fascination with violence. Over my life, I've seen how sick, unstable individuals have manipulated our society's fascination into motives that have spurned them to atrocious acts like the Columbine High School and Virginia Tech University massacres. Most recently, another lunatic turned a movie theater in Aurora, Colorado, into something reminiscent of a scene from the movie, the Godfather, leaving an entire community, and the rest of a nation shaking their heads again, wondering what it is that compels a human being to bring such pain to so many innocent people.

This tragedy marred the opening of this very grandiose movie but couldn't keep it from achieving what only a couple of major Hollywood blockbusters have been able to, which speaks volumes about the breadth of what essentially is a piece of moving art. A major piece of moving art, complete with its $250 million + budget, social undertones, and larger than life director, that at the end of the day shouldn't be too heavily criticized because it is one hell of an accomplishment.

I'd rather keep this more short and sweet than typical, but expectations can sometimes be unrealistic, especially when trying to fill the shoes of a movie villain, who won an Academy Award for his performance, or if a movie you released has been the subject of curiosity/discussion for almost 2 years, meanwhile grossing like a billion dollars. But, Christopher Nolan, has assembled a more than solid cast, while pacing an arduously long epic three-quel with twists and turns to its plot, that preys on the weaknesses of its characters, drawing several parallel's between the society which reveres it's masked superhero on the screen and in real life. All the while, not confusing its audience too much...

Savages

Savages is an incredibly well shot drama that centers around two marijuana dealers, Ben and Chon. They reside in gorgeous Southern California, very close to the Mexican border and the drug cartels that have been seen so often in newspaper clippings across thar region of the country. It's an Oliver Stone production, which means it's relatively heavy with social commentary.

The greatest takeaway I had after seeing, Savages, comes from it's title. A savage is defined by Merriam-Webster's dictionary, as a brutal, rude, and/or unmannerly person, typically belonging to a primitive society. It's simple to take this definition and apply it to the members of the intricate drug cartel in the movie, most notably Lado, Benicio Del Toro's character or Elena, who's played by Salma Hayek. But, the message that I think Oliver Stone, the movies director, is trying to send is that relativity, is vital to consider when observing someone who you might deem to be a "savage". Things are very different with Mexican law enforcement, underworld organizations, and there are obviously many cultural differences between societal norms and customs, than there are in United States. So, you must be framing your viewpoint/opinion around the other factors that come into play in the total equation. Of course decapitating individuals for any reason, is an extremely act, but there are a lot of gray areas, which the movie does a solid job of sort of exposing.

Unfortunately, this is not one of Mr. Stone's best efforts, which is not to say that it's not a good movie. It was probably shaved down about 15-25 minutes for running time, which cut out some scene that better established the relationship between Ben and Chon. But, I personally wanted to see more reasons behind why their business and relationship with was able to work so well.

Savages, is a cast well and does include some very noteworthy performances. One in particular that stands out, is Del Toro. He could have just been put onscreen with those dark glasses and the look, that he so often donned in the film, and he would've given people nightmares. Hayek is inspired in her role as the kingpin of the Mexican drug empire. Taylor Kitsch, who plays Chon, redeems himself or the dismal box office takes of his previous two 2012 movie efforts in this one as well. Blake Lively turns in a better performance than she did in, The Town, and John Travolta seemed very authentic as, DEA agent Dennis. Demián Bichir and Emile Hirsch have minor roles, but both do a fantastic job of making those few minutes count towards making this an even more watchable movie.

Savages, might not be a movie you'll want to catch at the theaters, especially with so many other great films vying for moviegoer attentions, but it's a cinematographer's dream, with a very well written script that'll probably have your head spinning a few times, and if you don't mind too much blood, it's a fun way to spend 2 hours.

Ted

Ted is a new movie from Family Guy creator, Seth MacFarlane. Starring Mark Wahlberg and Mila Kunis and set in Wahlberg's native Boston, MA. It's MacFarlane's first live action effort, although it does include a major animated aspect, that being one of the major characters, Ted. Ted is a magical teddy bear, who through a childhood wish comes to life to have a very tumultuous, Lindsay Lohan-esque tabloid laden upbringing, which plays out during the first scenes of the movie. MacFarlane, Wellesley Wild, and Alec Sulkin the auteur's of this screenplay, do a mighty fine job of establishing a frame of reference for the completely impossible notion that stuffed animals can come to life. Throughout the movie, they embrace this by depicting reaction's from other characters in the movie to Ted's presence and demeanor, in a very raw, truthful manner.

Living in Boston, I'm a bit biased by alot of scenes having everyday connections to places I visit and am around quite often, but the movie certainly plays well in this city and the city also serves as another character of the movie, with one specific reference to a nearby town drawing many laughs in the theater I viewed it in.

A common theme of MacFarlane's work is that he always pushes the limits of what is politically correct and just generally what is acceptable for off color jokes. In Ted, he's continued to push the envelope with that, drawing disdain from a non-profit benefiting ALS for a joke from the movie. Although, I think they have strong footing to supplant their comments, Ted is overall such a funny movie that without that joke, it's a must see.