Snow White and the Hunstman

It's definitely worth mentioning that it was an arduous journey to see this movie on a dreary, rainy Saturday in Boston, MA. Firstly, the Chestnut Hill theater where my friend and I originally set out to watch this movie looked like it was in full summer blockbuster mode with a line out the door, with undoubtedly the majority of patrons their to see Snow White & the Huntsman. A line for a movie opening in the suburbs is pretty rare in my opinion, unless Harry Potter or Bella Swan are involved. But, that's just the thing, Ms. Swan was involved, Kristen Stewart was of course playing the venerable Snow White. So, my underestimation of the breadth of interest in this movie was costly, as this overcrowding spurred us to push our viewing showtime back an hour and head into the city, to watch it at the Boston Common theater.

Well, things didn't get any better for us, as the 5:45 showtime was sold out here (Yes, I'm familiar with Fandango and purchasing tickets beforehand, just didn't think it was necessary). So, after some discussion we decided to push through, find something to kill some time, and see it at 6:45PM, this time buying tickets with an hour and some time to spare.

The consensus of reviews for SWATH were generally lukewarm, most said that it earns a lot of points for its visual achievements, but that it lacks in the areas of storytelling, plot/character development, and rhythm/pacing. I have to agree with the critics on this movie, and I look to the choice of the films director for the reason behind some of its pitfalls. Rupert Sanders', an essentially unknown, making his major motion picture directorial debut didn't seem to put much of a memorable touch on the film. The movie seems to want you to feel a connection to a specific character, such as Snow White or her father the King, but there aren't enough developmental scenes that set those emotions up. So, about halfway through the movie you're kind of like, "Where's Charlize and when are we getting to her showdown with KStew".

Some people who deserve some credit for this film's success, are cinematographer Greig Fraser, supervising art director, David Warren, and Lucy Bevan, who was responsible for the movies casting. Obviously, very solid performances from Stewart, Theron, and Hemsworth, who doesn't go very far from his acting comfort zone in this one, but will absolutely bolster his movie star status coming off the heels of, the Avengers.

A few takeaways for SWATH, are that Kristen Stewart has proven that outside of the Twilight series she has the cache to draw in a huge audience. Charlize Theron is still a great actress and the future looks very bright for her. A lot of people will be scratching their heads about why a bigger, more mainstream director wasn't tapped to helm this movie and Snow White's dwarfs definitely provide some much needed comic relief, but I would've liked a bit more.

The Avengers

Where to begin on this one?... Hmmm alot happening surrounding this movie, and maybe even more that occurs during it. It's so difficult to do a movie like this justice in a review, because it means such different things to the people that will see it. Take me for instance, I wouldn't consider myself a comic book nerd by any stretch of the imagination, but as a kid I probably browsed a couple of those Marvel comic books and I of course knew who all those superheroes were/are. Don't ask me where Hawkeye originated from or what Captain America's shield is constructed of because I won't be able to tell you. I think that stuff are important elements of the story, but alas I don't allocate too much of daily life to remembrance of fictional superhero character etymology, it's mostly spent immersed in more tangible things like working to pay the bills, socializing with friends, eating meals, etc. That's sort of a jab at fan-boy comic book geeks who don't seem to grow up, the ones that you satirized in television and other films. Think Jeff Albertson or Comic Book Guy, from the Simpsons. Anyways, I think it's worth mentioning them because they never seem satisfied by a "major" motion picture effort like this one, bringing it down with commentary like, "Hated Iron Man's Mark VII suit, it didn't incorporate the arc reactor enough into the total design". Major in parentheses because of the $220 million budget of this film, apparently another couple million dollars would've been necessary to achieve that perfect Iron Man suit luster, I'm sure. But, truthfully a movie of, The Avenger's, proportions attracts such a diverse audience that it is almost impossible to review it in a way that is relevant universally, but nevertheless I'll try.

It goes without saying that this movie has an exceptional cast, but I obviously just said it, so let me touch on a few performances that sort of sealed the deal. Robert Downey Jr., as Tony Stark, was probably the most memorably and I attribute this to a couple reasons. One being that he's gotten the most practice playing the role of the billionaire playboy/philanthropist/inventor in the two Iron Man movies, the other being the script. In this movie, his role is very well written, heavy on quips and retort, especially with Chris Evans character, Captain America. Samuel L. Jackson's character, Nick Fury, also had a larger role in this film, which went over well with me. His emergence as a more conflicted, secretive S.H.I.E.L.D director was portrayed well by the accomplished actor.

Joss Whedon, the movie's director, deserves a ton of credit for just how good the movie was. You may remember him from The Buffy the Vampire Slayer television series, Angel, or as the writer of the original Toy Story. As the film's director he does an uncanny job of introducing the superheroes to us and then letting them interact together on-screen in a way that's obviously out of this world and very down to earth (If that makes any sense). Even more credit to his writing prowess, as the script stood out to me as an above average achievement for a blockbuster of this scope. Stan Lee, the venerable "Godfather" of all Marvel Comics, is made out to be a genius in the way that he's assembled "The Avengers" through the development of Robert Downey Jr., Chris Evans', and Chris Hemsworth's characters in Thor, Captain America, and both Iron Man installments.

Quite simply, The Avenger's is way better than the Hunger Games, can be enjoyed by females (Just ask my roommate) it will outshine any effort that Spielberg and Co. can muster for Men in Black 3, so it should be a must see for all moviegoers for the month of May.

Mission Impossible: Ghost Protocol

I think at one point in every young boys childhood, they imagine themselves as James Bond, the quintessential international man of mystery. Playing childish games of "Spy vs Spy", or telephone. Basically, just turning everyday household objects and inanimate objects into tools of espionage. When really they should be dreaming of one day being, Ethan Hunt, super smooth, semi-insane, badass IMF agent. I know that if I could go back in time and do it again, that's the spy I'd want to be.

Mission Impossible: Ghost Protocol delivers on virtually ever level. Honestly, since seeing it last night, I've been trying to think about possible improvements to the movie, but haven't really been able to come up with anything. From a previously unseen Dark Knight trailer, to an exceptional Snow White and the Huntsmen trailer, MI4 knocked this one out of the park. Brad Bird, the film's director definitely paced the film well, with basically non-stop action from beginning to end. It was casted incredibly well, from bringing in Jeremy Renner, to play an IMF analyst named Brandt, to Paula Patton, as Jane, to Simon Pegg, as Benji, even Lea Seydoux, as Sabine Moreau, a very sexy international hitwoman (If these exist in real life, I've never met one, very unfortunately). The set locations are also top notch, with most of the filming taking place in Moscow, Prague, Dubai, and Vancouver. Utilizing the tallest building in the world, the Burj Khalifa, in Dubai, United Arab Emirates. The shooting at this ridiculously breathtaking skyscraper make for some of the best scenes in the movie.

Wrapping things up, Mission Impossible: Ghost Protocol, may be the best action movie of the year, with the only other real contender to compete being, Transformers Dark of the Moon, but a limited release is certainly not a telling tale, as the weekend box office wasn't kind to Sherlock Holmes or MI4. But, Cruise helms the film in such a way that I see big things for this movie.

The Help

The Help is arguably one of the best movies of the summer. The way it encompasses so many intertwining lives and depicts them in a genuine sort of way is remarkable. The movie brings out so many emotions in it's audiences, that's it no wonder that it achieved so much box office success back in August.

If you've been living under a rock for the past 2 months then you probably don't know that the film is adapted from a novel with the same name, by Kathryn Stockett. Tate Taylor, who I've read is a very close friend of Stockett, directed and assisted in writing the screenplay for the film. Taylor and Stockett have truly accomplished something incredible, with this being both of their first major Hollywood film releases, they crafted a 146 minute piece of art that not only moves smoothly and efficiently through a complex character driven narrative with heavy societal commentaries at almost every turn. Some critics have argued that the film only scratched the surface in terms of racial relations during this time in America, but it must be remembered that the film is a drama and was distributed by DreamWorks, not to simply educate people, but to turn a profit, so obviously certain aspects of depicting the civil rights movement wouldn't end up on screen. I personally have no problem with this, as if I'm seeking to be enlightened of this tumultuous time in American history I pick up some documentaries from my local library,

Another aspect that makes the Help so remarkable, is it's cast. From Bryce Dallas Howard, to Allison Janey, to Emma Stone, Octavia Spencer, Viola Davis, Jessica Chastain, Cicely Tyson, and Sissy Spacek, all of the performances feel authentic and compelling. I expect this ensemble to be recognized come awards season, and a lot of credit should again be given to Taylor and Stockett for providing these actors with material that could showcase their talents.

Crazy, Stupid, Love.

It's not an easy thing for a single, 25-year old guy to admit to seeing a romantic comedy, on a whim, at 10:30 in the morning, by yourself... So, consider me revealing this bombshell about a close friend of mine, a giant leap of faith. I mean really, the romantic comedy in question would have to be one of the best ones he's ever seen to share something like that with me, and then allow me to put it on the Internet for all to see. I hope that gives an idea of my buddies immense admiration for Crazy, Stupid, Love...

In so many ways this movie is the perfect romantic comedy, here's a few reasons why: It's two leading men are hilarious and have excellent on-screen chemistry, the primary roles are acted incredibly well, it depicts romance at all the important stages of life, it has an assortment of scenes that you remember days after leaving the theater, either because their funny, touching, or outrageous, and because it sort of has the perfect title(If you've seen it, think about it).

I have to admit that one of my main reasons for seeing this movie, besides the praise it was getting from everyone, was the scenes in the trailer with Ryan Gosling cleaning up at nightclubs. I thought if anything it'd be entertaining to watch him try to mold Steve Carell into an equally smooth operator. Also, I love Emma Stone's quirky funniness and red hair(Julianne Moore's, too). But, there were so many surprises in this movie that it's impossible to not like it in my opinion. Jonah Bobo and Analeigh Tipton give two brilliant, unexpected performances, that are basically as important to the movies overall grade as Stone and Moore's are. Dan Fogelman deserves a ton of credit as well for just how funny the dialogue in this movie is. Gosling, if he gets (and he should) a Golden Globe nomination for his comedic performance, ought to buy him something nice and expensive.

Rise of the Planet of the Apes

Reboot, remake, sequel, whatever you want to call them these days, a lack of creativity or risk taking has been plaguing Hollywood as of recent. But, with Americans being tighter with how they spend on entertaining themselves not alot of studios want to bankroll big budget movies. It just makes more business sense to modify something that's been done in the past and release it to the masses.

Rise of Planet of the Apes, is a reboot to a franchise that began in the 60's, with Planet of the Apes, which starred Charlton Heston. It depicts the life of Will Rodman, (James Franco) a San Fransisco scientist who has been developing a serum in the hopes of curing Alzheimer's. He's been testing a genetically engineered retrovirus on primates and the results are coming back very positive. The virus changes the primates in a way that vastly increases their brain activity, essentially giving them a human level of intelligence. But, their are negative side effects, when a primate becomes aggressive and utilizes her newly acquired intelligence to escape a secure room in a test facility and interrupt a very important board meeting, that would've secured more funding for the Alzheimer's cure research.

Rise is a very fascinating movie, with not too much write home about acting wise, unless you can wrap your mind around the incredible accomplishment of Andy Serkis, the actor who portrayed Gollum in the Lord of the Rings franchise. He or CGI modified versions of him, make up the character, Caesar, who is the central ape character in the film. Watching his body language, facial expressions, and general mannerisms enmeshed the audience in the struggle that the primates faced against their human overlords, if you will. I wasn't rooting on the humans in some of the final battle scenes on the Golden Gate Bridge, I was compelled by Caesar's look of betrayal, when he was "abandoned" at an ape facility later in the movie, to pull for the apes and their desire to acheive freedom from the testing facilities and zoo's of the Bay area.

Rise is certainly a very well-made, worthy summer movie that may just spawn the likes of another movie in the franchise sometime down the road.

Cowboys & Aliens

Maybe, it’s just that I really enjoy western’s, but I would’ve been satisfied with Cowboys & Aliens, had the extraterrestrials never showed up. There’s something that I just love about the simplistic, visceral rawness of an old western movie set, it could be the notion that with less lucrative sets it puts the actors talents at the foreground or that I’m nostalgic and enjoy being transported back to another time. Whatever it is, when you bring together talented individuals like Daniel Craig, Harrison Ford, Jon Favreau, and Steven Spielberg you’re definitely in for something very cool.

The plot of the movie goes like this: a spaceship arrives one night in a settlement in Arizona, with it comes epic destruction and many disappearances. A short time before this apocalyptic night a stranger jaunts into town, with a boldness and swagger about him that the townspeople take notice of. He is Jake Lonergan, played by Daniel Craig, but he’s suffering from a strange amnesia as he doesn’t know who he is, how he came to be in this place, and what the contraption on his wrist is. Lonergan’s boldness is put on display as he stands up to Percy Dolarhyde, acted well by Paul Dano, the son of Colonel Woodrow Dolarhyde, cattle baron and the driving force of Absolution’s economy. Dolarhyde senior is of course portrayed by Harrison Ford, and when he gets word of his son being thrown into the clink he isn’t pleased. Couple that with the news of farmhands vanishing and missing, burnt and mutilated cattle and Dolarhyde is grumpy as hell. Dolarhyde confronts Sheriff John Taggart, but he doesn’t budge on his decision to send Percy off to face his judgment. But, all of this is interrupted by a bright red light on the horizon, which leads to bodies being snatched by “demons in flying machines”.

I don’t want to give too much else away, but Spielberg, Orci, Kurtzman, Lindelof, and company have crafted a very solid screenplay that ties together well. Spielberg is definitely one of Hollywood’s masters of science fiction, so I can speculate that his insight on how the extraterrestrials should look and move was extremely valuable. The only flaw I wondered about after seeing the movie, that I’m sure was discussed at production meetings was how on Earth did those cowboys survive a full on battle against aliens with “atom scrambling” weaponry, with only some dynamite, an alliance with some of the natives, and their trusty six-shooters (The answer is truthfully, they would’ve been pulverized and there wouldn’t of been any American history post 1879). Alas, this is just fiction, and of course you’ve got to root for the good guys, no matter how insurmountable the odds.

But, although not many critics and moviegoers enjoyed Cowboys & Aliens, I did. I wouldn’t crown it movie of the summer” or anything like that, but I’d recommend watching it to anybody who enjoys science fiction or Daniel Craig. I do realize that, that isn’t the most sweeping endorsement, but the movie didn’t really have that “It” factor that movies like Men in Black or Independence Day had in spades.